Monday, 12 June 2017

Poets Abroad - annual poetry reading


Poets Abroad is a group of poets who first met online in 2015 via a poetry workshop facilitated by Kevin Higgins.  Towards the end of the course a number of us said that we would be interested in staying in touch.

The initial group included Eimear Connolly, Leslie Thomas, Dick Edelstein, Julie Gilligan, Audrey Molloy, Frances Browner, Bobbie Sparrow and Bernadette Gallagher.  The name Poets Abroad was suggested by Bernadette and it was adopted.   The idea behind the name was more towards poets walking about in the world.  As it happens a number of the group live in US, Australia, mainland Europe, UK and Ireland.  The group now exceeds 20 writers and we communicate via a private Facebook group set up by Frances Browner, sharing poems, feedback and other material related to poetry.

The first poetry reading was held in Books Upstairs, Dublin in 2016 organised by Bernadette.  The idea grew out of an initial plan to meet Audrey Molloy for coffee on a visit home but after a number of months of planning this turned into a formal poetry reading with Alvy Carragher as the guest poet followed by seven poets from Poets Abroad. Maurice and staff at Books Upstairs were incredibly supportive and the reading was a success and a joyous occasion.  So much so that we have turned it into a yearly event with plans in place up to 2025.




Poets Abroad, Books Upstairs, Dublin 2016 organised by Bernadette Gallagher
[From L to R] Special guest Alvy Carragher, and Poets Abroad poets Leslie Thomas, Bobbie Sparrow,  Iseult Healy, Frances Browner, Audrey Molloy, Dick Edelstein and Bernadette Gallagher.





Poets Abroad, The Model,  Sligo, 2017 organised by Iseult Healy.
Special guest Kevin Higgins [centre] and [From L to R] Poets Abroad poets Leslie Thomas, Iseult Healy, Julie Gilligan, Bobbie Sparrow, Shelley Tracey, Roisín Browne, Frances Browner and Bernadette Gallagher.

Other member of Poets Abroad not mentioned above include:  Giles Turnbull, Deirdre Daly, Barbara DeCoursey Roy, Jo Burns [Jo Erbacher], Mary Heneghan, Karin Molde, Louise Viera, Rosie Barrett, Finn Monahan, Gobnait Kearney, Ellen Davis, Pete O'Neill and Deepa Mardolkar.


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Blog updated 16th Aug 2019:


Poets Abroad reading June 2018 hosted by Frances Browner at the Hot Spot, Greystones, Co. Wicklow
[From L to R] Roisín Browne, Karin Molde, Leslie Thomas, Bernadette Gallagher, Iseult Healy, Frances Browner, Bobbie Sparrow, Shelley Tracey, Dick Edelstein.




Poets Abroad reading June 2019 hosted by Julie Gilligan at The Blue Boar, Maldon, Essex, UK.
[From L to R] Jo Burns, Nick Allen, Bernadette Gallagher, Julie Gilligan, Frances Browner, Shelley Tracey, Adrian Green [emcee], Deepa Mardolkar, Denis Ahern [special guest].



Poets Abroad reading September 2019 hosted by Leslie Thomas at the Afton Historical Museum, Minnesota, US. [From L to R] Frances Browner, Leslie Thomas, Bernadette Gallagher, Thomas R Smith, Kay Lee Penton & Barbara DeCoursey Roy

Monday, 29 May 2017

'Mind Your Own Business - A seminar on the practical side of being a poet' at Poetry Ireland - Poetry Day - Thursday 27th April 2017

I wrote an initial brief blog on this event but had always intended to write a more detailed article which I include here.


The event included (1) The Alexander Technique by Tomas Hardiman, (2) Jane Clarke sharing her experience and knowledge as a poet and about the business side of writing, (3) Poetry Ireland's Marketing Manager, Muireann Sheahan who imparted some of her knowledge on advertising and publicity, (4) Paul Perry, poet and novelist gave guidance on grant applications and (5) Don Patterson poet and poetry editor at Picador gave an interesting conversational style masterclass on poetry publishing.

(1) The Alexander Technique was introduced by Tomas Hardiman, film-maker and trained teacher in the Alexander Technique. Although I had taken part in Alexander Technique workshops previously I learned and thoroughly enjoyed his talk. He mentioned some well known people who had met with and been helped by the creator of the technique, F.M. Alexander.

One such was Aldous Huxley, 'Huxley had studied many systems of personal development during his life, including the Alexander Technique. He met F. Matthias Alexander, the developer of the Technique, in London in the mid-1930’s. He was already an established author, best known for his 1930 novel, Brave New World. But his poor physical state threatened to end his writing career.' [From Here & Now by Robert Rickover].

Another was George Bernard Shaw ‘Alexander established not only the beginnings of a far reaching science of the apparently involuntary movements we call reflexes, but a technique of correction and self-control which forms a substantial addition to our very slender resources in personal education.’ - George Bernard Shaw, playwright [extract from: http://www.alexandertechnique.com/articles/quotes/ which also includes quotes from many other well known people from all walks of life].

I was particularly interested in his mention of Malcolm Bough who as a runner and teacher of Alexander Technique specialises in using the technique to improve how runners run! As I am currently training for a marathon I could do with every bit of help I can get. An Alexander Technique teacher who specialises in eye sight is Peter Grunwald, creator of the Grunwald Eyebody method.



(2) Jane Clarke, poet, shared some wonderful nuggets. Jane talked about her own experience as a poet. She encouraged us to look beyond our usual audience and to support other poets. A poetry group in the US found Jane's poetry through Christine Murray's Poethead blog which led to Jane being invited over to read. Also a naturalist in Scotland tweeted one of her poems which led to a feature in a Cornish nature magazine.

For the publication of a collection, Jane indicated, one needs to prepare publicity six months to a year in advance. ‘Publishers operate on limited budgets. Don't expect too much – mostly what they can give you is a beautiful book and the imprimatur of their name.’ Contact the marketing person if the publisher has one and ask ‘what can I do? Ask yourself how can I help my publisher? Think of alternative places to publish and don't forget local radio and local papers. Ask yourself ‘whose poet are you’? Who are your different audiences? Approach established and respected journals, keep moving - if you get published by one don't submit to the same one again or at least until a reasonable period of time has elapsed. Establish relationships with your local book shops. Think about where your links are in your own region.

Social media is hugely important and having a website does matter. Take every opportunity - accept invites to read at small readings and submit to local competitions. Marketing starts way before your first collection and you need to think in terms of creating an audience for your next collection. Never assume that the next book will get the same reception as the first.

There are many different roles involved in writing - workshops, competitions, reading, submissions, publicity and administration. Maintain records of your writing and submissions and hold onto reviews and articles.

Jane ended her contribution with this advice: In doing any activity connected with your writing ask yourself - 'Does this nurture my writing'?



(3) Muireann Sheahan, Poetry Ireland's Marketing Manager reiterated what Jane said about publishing and asked ‘What can you do for your publisher’? Think about your brand in terms of reputation, your public image, how you present your work, the cover of your book. She talked about the image created by Haruki Murakami and his ‘moment of inspiration’, available on his website which is well worth a view. When sending images of yourself to a publisher use landscape and high resolution as these are best when reproducing to online sites. She suggested Poetryguy as an example of a site that she felt was well laid out. An online presence can be set up using free applications for example: Squarespace.com, Wix.com, SimpleSite, Wordpress and Google Blogger. Other online options to use include Instagram, YouTube, Vimeo, Soundcloud…. In discussing one’s online presence Muireann talked about the idea of sharing something about your life as a poet, encouraging writers to post something every day, use photos, retweet, share, support and be positive. She suggested that advertising via Facebook was worthwhile.

At some point a writer will be asked or will want to read in public. To prepare for this Muireann suggests that one gets comfortable using a microphone. She mentioned iRigMic as a brand that was reasonable and good quality for connecting to a portable device with easy to use software. Eventbrite is an excellent tool for helping with publicity when preparing or organising a reading event. When sending out a press release keep it realistic. Include relevant information in the first paragraph and include contact details. Think of the bigger picture – is there a particular message you want to communicate? For example, how the book came to be – was it a Murakami moment?

Other sites mentioned by Muireann include wheelercentre.com, Emma Press, impress-books.co.uk, Dedalus, Salmon, Poetry Ireland.

Information on ISBN and ISSN numbers.



(4) Paul Perry shared his knowledge on applying for grants and bursaries. He recommended to use the County and City Councils as a stepping stone before applying to the Arts Council. Information is available on the artscouncil.ie website showing ‘who we funded’ since 2008. Information on bursaries and grants are available on individual County and City Council websites in addition to the Arts Council website.

Information is also available on WordsIreland.



(5) The event came to a close with the Scottish poet and poetry editor at Picador, Don Patterson.
The focus of Don’s talk was on publishing or getting published. He advised that a writer needs another person to edit their work. In preparing a submission he quoted Philip Larkin as saying ‘have a good poem at the start and end and throw the others up in the air’ and arrange accordingly. To read more on this topic - http://www.picador.com/blog/september-2011/anthologise-advice-from-poets-and-anthologists.

If sharing the information here please acknowledge sources.  Blog by Bernadette Gallagher

Saturday, 29 April 2017

Memories from Books Upstairs April 2017

I am off home after a very happy and stimulating few days in Dublin. Poetry Ireland, Words Ireland, Irish Writers Centre, Teddy's ice-cream and walk on East Pier.

Today I spent about three hours in Books Upstairs - leaving lighter and heavier. Looking through some books I came across Gerard Smyth [in person] who had only good words about his recent experience at Ó Bhéal in Cork.  As always it was a pleasure to chat with Maurice before heading up for a bite in the café where I met a fellow writer of poems, Deirdre Daly.

So what's in the bag?  TLS, Bare Hands Anthology, Skylight 47, Literary Review, Level Crossing, Banshee x 2, Gorse, Crannóg, Ciphers CD, Off Duty by Katie Donovan, Mountains for Breakfast by Geraldine Mitchell and a beautiful Selected Poems by A.E.

I think my blog will be quiet for some time...

29th April 2017